a note from Helena Berlin
Collaborative song writing is a bit like a murder ballad. It concerns two people who, on some level, love each other. Sometimes fiercely. Yet in the end, someone is going to end up floating face down in a river.
I mean that metaphorically, of course. Sort of.
Fortunately Christian D. and I are still drawing breath after finally completing Rogues & Blushing Virgins. Writing these songs was, in equal measure, a labour of love and a labour of angst. Our collaborations are always loaded and testy. They resemble that simmering antecedent to a marital blow-out. In retrospect, however, I think that fuming energy worked. Vitriol aside, Christian and I land on common ground in our love of narrative songs. Rogues draws from that tradition.
A brief exposition of the three songs, then, if you’re interested…
Rogues & Blushing Virgins is the aftereffect of three images that came to me a couple of years ago, while driving with Christian through a solemn, churchy little town somewhere up north. Three characters appeared to me: a ragged woman standing on a bridge, calculating the distance of the drop (Dive); a young man watching her, weighing his moral obligation to save her, (Dark Day Darling); and a storyteller who swears the shit he witnessed in a solemn, churchy little town was all true (Jericho River).
Christian and I are now finishing our next EP, Lament for Young Cain. We will strive to steer clear of any and all rushing bodies of water.